“Dark Days” (2000)

Rated: N/A

Directed By: Marc Singer

“Dark Days” is the true life documentary that gets a peak into the lives of 5 or 6 homeless individuals living below the streets of New York City; specifically the “freedom tunnel” that runs between the Penn Station in midtown to Harlem. Filmmaker Marc Singer takes us into a part of the world that is shut off from the every day lives of the rest of the population and what a ride it is.

From the start of this film we follow Greg into a hole which leads under Penn Station along the tunnel into the area in which these people live…survive. It is the true exposure of the grime of the city, where they have found refuge from society in which they are not longer accepted. A good majority have found themselves down here due to excessive drug use, specifically crack. They know and understand that they are victims of the drug and they are a slave to it and they don’t have the support they need in order for them to drop the habit and work at turning their life around.  Most have had led regular lives as explained by Ralph, he was at one time married, she gave him the ultimatum of either her or crack and he choice the latter. He came home one evening and found his stuff packed up and he was out. Many share their sad stories, many have been living down in the tunnel for upwards of 25 years. Young Tommy, who’s age is alluded to at 26 years old says he’s been living on his own since he was 16 years old, his father beat him and his mother and he never got any love or support from either.

Mark Singers’ documentary shows us the homeless are people too, with real feelings that have just made bad life altering choices and don’t have the means to change their lives around on their own. They need help.  Thankfully, that helps comes in the form of the Coalition for the Homeless in NY which led to secured housing vouchers provided by the Department of Housing and Urban Development for each of the homeless in this film.  This somewhat depressing story turned to the light in the tunnel with post-mole interviews of each one showing them in their new apartments and the aspirations they now have and what they are going to do with their lives. Some are hopeful in finding work, others are grateful for having the opportunity to change their lives while others may fall back into vicious cycle which made them homeless in the first place.

According to some sources we were able to find online, Singer moved to NYC and had become fascinated and interested with the large number of homeless around the city. He decided to befriend a few of them and that lead him beneath the city to the freedom tunnel. While living with them for several months he decided to document their lives on film in order to possibly help them financially. Singer rented the 16mm camera, had some film donated by Kodak and managed to teach some of the on-camera subjects how to hold the camera, operate some lights and even some camera rigs. The cinematography is great, it gives the viewers a great in depth look at what it was really like living down there and told the story bit by bit and enhanced the shock and awe value of the story.  This is told entirely in the subjective point of view of the homeless. It puts us on their side, shows us what they go through on a day to day basis and sheds some light upon their personalities which makes the ending all that great.

This is a documentary that needs to be seen. Living homeless is a whole other culture, a society of people that we normally don’t have any interaction with on a day to day basis. Live this 80 minute ride and see a part of NY that you might not ever see.

3.5 Knocks out of 5

2011 Academy Awards Are In…Our Predictions

So the highly anticipated, most coveted award show for the motion picture industry released their nominations for this years Academy Awards this morning. This seems to be an exciting time of year for all the filmmakers and most of the majors that are pining for their pictures to get some free publicity. We at KNOCKERS love to see what the industry turns out to consider some of the best work put out that year.

Here is the list of nominations and our own predictions on the top categories.

BEST PICTURE

Black Swan – Mike Medavoy, Brian Oliver and Scott Franklin – PRODUCERS

The Fighter – David Hoberman, Todd Lieberman and Mark Wahlberg – PRODUCERS

Inception – Emma Thomas and Christopher Nolan – PRODUCERS

The Kids Are Alright – Gary Gilbert, Jeffrey Levy-Hinte and Celine Rattray – PRODUCERS

The King’s Speech – Iain Canning, Emile Sherman and Gareth Unwin – PRODUCERS

127 Hours – Christian Colson, Danny Boyle and John Smithson – PRODUCERS

The Social Network – Scott Rudin, Dana Brunetti, Michael De Luca and Ceán Chaffin – PRODUCERS

Toy Story 3 – Darla K. Anderson – PRODUCER

True Grit – Scott Rudin, Ethan Coen and Joel Coen – PRODUCERS

Winter’s Bone – Anne Rosellini and Alix Madigan-Yorkin – PRODUCERS

ACTOR IN A LEADING ROLE

James Franco – 127 Hours

Jeff Bridges – True Grit

Javier Bardem – Biutiful

Jesse Eisenberg – The Social Network

Colin Firth – The King’s Speech

ACTOR IN A SUPPORTING ROLE

Christian Bale – The Fighter

Jeremy Renner – The Town

John Hawkes –  Winter’s Bone

Mark Ruffalo –  The Kids Are Alright

Geoffrey Rush – The King’s Speech

ACTRESS IN A LEADING ROLE

Annette Bening – The Kids Are Alright

Nicole Kidman – Rabbit Hole

Jennifer Lawrence – Winter’s Bone

Natalie Portman – Black Swan

Michelle Williams  – Blue Valentine

ACTRESS IN A SUPPORTING ROLE

Amy Adams  – The Fighter

Helena Bonham Carter – The King’s Speech

Melissa Leo – The Fighter

Hailee Steinfeld –  True Grit

Jacki Weaver – Animal Kingdom

DIRECTION

Darren Aronofsky – Black Swan

David O. Russell – The Fighter

Tom Hopper – The King’s Speech

David Fincher – The Social Network

Joel Coen and Ethan Coen – True Grit

To see the complete list of nominations: 2011 Academy Award Nominations

Aahān 2011

The following is a press release containing information about the Aahān Festival 2011:

 

“Aahān 2011 is an Endeavour by the students of Shri Vile Parle Kelavani Mandal’s Usha Pravin Gandhi College that aims to create a hub where enthusiasts of media, management and information technology can come together to collaborate and innovate.
Aahān goes beyond the quintessential college festival yet retains the flavours that go into the making of one. It dispels all clichés but retains familiarity. It aims for excellence but holds on to exuberance. Offering students the best of three worlds, Aahān is the difference. The 11th, 12th and 13th of January marks the beginning of a revolutionary convergence.
We have an International Short Film competition in Aahān which is also one of the USP events of the fest. It would be great if you can participate by sending us your short films!!
ISF: (International Short Film Competition)
Do you aspire to be the next Spielberg or Coppola? Is the film reel your weapon o…f choice when it comes to expressing yourself? If so, make your film available to the opinion of veterans in the field who will give you constructive criticism and show you a clear direction to pursue.
Turn your passion into a profession at… the International Short Film Competition at Aahān 2011 hosted by the Usha Pravin Gandhi College of Management in Mumbai, India. With over 1000 short films from 43 countries being screened over the period of the last 3 years, the festival has been a hub for student filmmakers to showcase their films to the public and an opportunity for amateurs to turn pro.
It’s Lights, Camera, Aahān!
Details of the short filmmaking competition:
If the films are student made they are entered into a competition and a renowned jury from the Indian Film Industry judges them. If the films are non-student made, they are not eligible for the competition, but they definitely recieve valuable feedback.
It is a great opportunity for students and the others too to portray their talent.
SCREENINGS
We have five categories of film entries. Participants can send in their film if they fall under any of those categories. There is no limit on the number of entries.
The five categories are:
Fiction
Time:25 mins max.
Judges: Directors, Cinematographers, Editors & movie critics
Judging Criteria: Editing, storyline, direction, camera angles etc.
Non-Fiction
Time: 25 mins max.
Judges: Directors, Cinematographer, Editors & movie critics.
Judging Criteria: Editing, Storyline, direction, camera angles etc.
Ad-Films
Time: max. 1min.
Judges: Ad film directors.
Judging criteria: Concept and execution of concept.
Animation
Time: 10 mins max.
Judges: Directors of animation films & animation experts.
Judging criteria: creativity in characters, quality of images & movement (transition) and editing.
1-2-3-4
Here we give them the following parameters and they have to make the films using those only:
1-Location
2-Actors
3-Camera angles
4-Props
Time: 5-10 mins max
Judges: Directors, Cinematographers and Editors.
Judging criteria: creative usage of the 4 parameters most importantly camera angles.
Trailers Time (max 1 min.)
(The trailer should include the credits- director, producer, and actor/s.)
You may make a 60 sec. trailer of your short film entry itself and compete in the trailer films category also!
NOTE
Screenings from each category except ad-films can also apply for the trailer event (off venue). The judges for both events will be different. The trailer and the movie should be sent separately in different CD’s.
2 Copies Each.
No. Of Entries: Unlimited
The film has to be couriered to us.
The last day to enter your films is 31st, Dec,2010.
There is no bar on the number of entries per person. So, you may send in as many short films as you may wish to!
Registration
http://www.upgaahan.com/film/


Contact
Sneha
Aahan 2011
HOD-CONNECTIONS
+91 9920966900
Website
www.upgaahan.com

Burbank International Film Festival (BIFF)

The Burbank International Film Festival is an independent film festival, specializing in support of indie filmmakers. The following is an interview with Burbank International Film Festival executive producers Adrian Iniguez and Brandon Scott Kurtz.


KNOCKERS– Thank you for taking time from your busy schedule to join us in this interview this evening!

BRANDON– No problem, thanks for the interview.

K– It’s our pleasure. Tell us a little bit about the Burbank International Film Festival.

ADRIAN– The Burbank International Film Festival is a GREAT non-profit organization that I am proud to be a part of. BIFF is in its 3rd year of existence in the city of Burbank, “The Entertainment Capital of the World”

B– oh and we have been named on two different sites as one of the top 10 script competitions. 

K– That’s pretty impressive! What are some of the submission categories?

B– Feature Films, Feature Foreign Films, Feature Animations (new category), Short Films, Social Conscious Documentaries, Music Videos, Commercials, Webisodes, and similar short categories. We want to see all genres as well from Horror to Western, Comedy to Drama, Sci-Fi to Superhero.

K– Sounds like you have something to offer for everyone!

B– We like to be extremely diverse. personally I enjoy all types of movies so the more diverse the better. We are even looking to open a 3d category we had one 3d film last year

K– What separates your festival from other independent film festivals?

A– we truly are an INTERNATIONAL film festival. We strive on having indie foreign entries from around the world and here in the US. This year we had filmmakers attend from Japan, Australia, Finland, Europe, South America, Canada and Mexico. Although our title says “International“, we still focus on our LOCAL filmmakers. We try and make the attendees feel like family before and during the event. The film makers have 100% access to the 3 of us (producers) to discuss any matter that needs attention.

K– Sounds pretty hip. So, we’ve been hearing that the Burbank International Film Festival is becoming known for it’s support towards independent filmmakers. Would you say this is accurate?

B– Yes, we try to support the indie filmmaker as a non-profit. We know what the filmmakers go through and how every dollar counts.

K– Are you filmmakers yourselves?

B– I have worked in the industry in Los Angeles in the Grip and Electric departments as well as the camera department. I have been a still photographer since 1993 and produced a small student music video. I worked on numerous student and indie film sets as well as working on larger budget pictures.

A– No, I am an architect. But as an architect, I have had to create 3d animation walk-thrus of buildings and surrounding elements. The “films” ranged from 5 minutes to 60 minutes of images and music that had to be edited together.

K– What is your role with the BIFF?

A– I am 1 of 3 Executive Producers of the film festival along with Brandon Kurtz and Robert Whitell. My responsibility ranges from Programming Coordinator to Event and Space planner of the venues, liaison between the City of Burbank and BIFF, and much more. Its safe to say I wear different hats for the film festival as well.

B– Aside from executive producer, I wear many hats for BIFF. I handle a majority of the design work for BIFF as well as help bring in sponsors, network and play a major role in executing the event. During the off season I handle a majority of the correspondence with the filmmakers who are submitting their films, as well as distributing the films to various judges who rate the films on a scale range based on production value, editing, acting, storyline, consistency and make note of what pictures should be up for awards in their category or genre. I also run my own design and printing company while I am not working for BIFF.

K– Would you be so kind as to briefly highlight the advantages that independent filmmakers will enjoy by entering their work into film festivals, and even more specifically, the BIFF?

B– Each filmmaker should take advantage of film festivals; being an official selection at multiple film festivals gives a film their badges of honor. It means it is a well traveled film with a good response. A lot of distribution companies visit film festivals to pick up films and bring them into the mainstream. Filmmakers who win in their categories here at BIFF not only get an award and Laurel, we have sponsors that give us Film Stock, Software, Services and more which we then give to the filmmakers. So filmmakers get their projects viewed by a large audience and they have the ability to win thousands of dollars in software or services. We also see films that have followings and end up filling the theater just on buzz alone. The most important thing a filmmaker should remember is to help the film festivals by gaining press about their film and the play dates. Promote Promote Promote! Also, it is Burbank’s 100th year and the city is pumping up all local events. We really want to make this year something special!

K– I agree, film festivals can be extremely advantageous for up and coming, as well as veteran filmmakers. So what can indie filmmakers expect while attending the BIFF?

A– The filmmaker can expect a fun filled busy week of non-stop events. We had seminars for the film makers with the some of the most recognized names in the film industry. We had Tom Holman, Steve Welke and Lugh Powers for example. We also had a Music Festival that featured 29 bands that played throughoutt the week and an entire day of only music for the filmmakers and community to enjoy .

K– Would you say it is possible to score a distribution deal at BIFF?

A– It’s a great feeling to walk through the DVD section of say a Best Buy and see a film that screened at BIFF. Just yesterday I was browsing NETFLIX and saw another movie that we screened. We also have our filmmakers send us updates on how their films are doing.

B– Anything is possible, it all depends on how each filmmaker uses their time at the festival we certainly invite distribution companies and give them passes.

K– Are there guest/celebrity speakers in attendance at your festival?

A– We had sooo many this year! Mark Rydell, Barry Primus, Harland Williams, just to name a few.

K– What advice would you give to young filmmakers looking to get their movie to the masses?

B– Budget for film submission fees, always follow directions, and make sure your film plays before you send it out. Also, make sure you set it for the right region. Send your DVD in a case, don’t just throw your disc in an envelope. This is your project, your baby, make sure you package it like it is something you care about. Also help the film festivals by donating time, promoting your film to the markets of viewers who will show up to the see the film. Some of the filmmakers that stick out in my mind from 2010 are the ones who made it a point to approach us and talk to us about their experiences, not just at our festival but at others as well. When we hear about things they liked or disliked at festivals they visited, we are able to adapt a few of those things.

K– Are you currently registered with WithoutABox?

A– Yes, we are.

K– Is there anything else you would like our readers to know about yourself or the Burbank International Film Festival?

B– We not only have films and seminars. Last year we had 29 indie musicians perform. We plan on having more music in 2011 as well! BIFF just recently sat on a panel with other film festival producers at Video Symphony’s Pizza and Post which we now are involved in. So we have monthly Pizza and Post events and we have a Legendary Bingo Event coming up in February.

K– Well, Brandon, Adrian, thank you for taking the time to answer our questions. The Burbank International Film Festival sure sounds like a great time.

B– Thank you for the interview and it was our pleasure to talk to you about the festival!

For more information on the Burbank International Film Festival, you can check out their website here: BIFF Official Website

Also, check out Brandon Scott Kurtz’s photography by following this link.